Acclaimed Yale art historian Robert Farris Thompson
regales us with the fascinating saga of Abatan, master potter of
the Yoruba of Nigeria. Hear how her worship of riverain deities
translates directly into the spectacular art she makes and the dazzling
dances in which her art is fit like a moving cathedral.
(Postponed from January 2004.)
Considered one of the world's foremost authorities on African
and Afro-Atlantic cultures, Robert Farris Thompson has been
called a brilliant thinker, tireless researcher, spellbinding lecturer (known
to break into dance and to sing and drum), and writer of almost velvet prose—a
towering figure in the history of art whose voice for diversity and cultural
openness has made him a public intellectual of great importance.
His colleagues in African art credit him with having transformed
the fields of African and African diaspora art history. He has completely changed
what the public understands about the use and context of African art, showing
that art cannot be split from its maker, its use, its function, and its perception.
African
Art, African Voices: A 130-work survey
of African art from the 19th century through the present, at the
Philadelphia Museum of Art from October 2, 2004–January 2, 2005.
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In his writings, Thompson has explored the material cultures of various
African ethnic groups, both in their own right and in relation to cultural
traditions of the African American, Afro-Carribean, and Afro-Cuban worlds.
He is the author of such classics as The Face of the Gods: Art and
Altars of Africa and the African Americas; Black Gods and Kings; African
Art in Motion; The Four Moments of the Sun: Kongo Art in Two
Worlds; and Flash of the Spirit: African and Afro-American Art
and Philosophy. His articles on the influence of African art on
American sports, dance, and drama have been anthologized in more than
17 books. In addition, he has designed and organized a number of major
exhibitions of African and Afro-American art.
Prof.
Thompson was honored in 2003 with the first College Art Association
Award for
Distinguished Lifetime Achievement for Art Writing. In 1995 he received
the Leadership Award of the Arts Council of the United States African
Studies Association for his contributions to scholarship in African and
African-American Arts.