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Wild Yam Dreaming

Aboriginals Painting Country

Pamela McClusky
Curator of African and Oceanic Art
Seattle Art Museum

Presented by the Penn Humanities Forum and University of Pennsylvania Museum

Wednesday • March 15, 2006 • 5:00 pm
Rainey Auditorium, Penn Museum
3260 South Street, Penn

Free. Public invited.


Aboriginal communities in Australia continue the oldest ongoing artistic tradition on earth, producing what art critic Robert Hughes has called the "last great art movement of the 20th century." Contemporary aboriginal works resemble nothing so much as modern abstractionist painting. Yet what looks like abstraction is actually filled with exacting representation of daily existence and sacred meaning. Since such references are not obvious to outsiders, each painting is decoded through documentation. Seattle Art Museum Curator Pamela McClusky describes the unique visual-verbal interplay in Australian aboriginal art.

Dr. Peggy Sanday, Penn Museum Consulting Curator and curator of the Museum's 2004-05 popular exhibition "Track of the Rainbow Serpent: Australian Aboriginal Paintings of the Wolfe Creek Crater," will introduce the speaker. A selection of paintings from "Rainbow Serpent," and a short video from that show, will be on view before and after the talk.


Image in poster from Red Rock (Ngaimangaima)" by Daisy Kungah from Billiluna, commissioned in 2002. Photo: University of Pennsylvania Museum of Archaeology and Anthropology. Reproduction prohibited in any form without permission.

 

Suggested Reading

Aboriginal Art: Unveiling the Unknown, The Sydney Morning Herald, Nov. 20, 2003.

Indigenous Australians, Wikipedia.

Aboriginal Art Online.

Track of the Rainbow Serpent, Australian Aboriginal Paintings of the Wolfe Creek Crater, Penn Museum Exhibition Oct'04 - Mar'05.