Courses, Fall 2007

Penn Humanities Forum
Freshmen Seminars
National Creation Myths, Mark Doyle
The Origins of Life, Llyd Wells
The Origins of Sexual Difference, Camille Robcis
Athens/Babylon: Images and Metaphors of the American City, Anthony Raynsford
Origins and Originality, Judith Brown

Susan Miller, History (F07)
Coming of Age in America: A History of Childhood and Adolescence, Susan Miller

Catriona MacLeod, German, Art History (F07)
Winckelmann

Michael Weisberg, Philosophy (F07)
Philosophy of Biology

Jonathan Steinberg, History (F07)
Economic Ideas from Adam Smith to Marx, Mill and Maine
 
Penn "Origins" Courses • Spring 2008

The following courses, offered by Penn Humanities Forum Postdoctoral Fellows and selected Penn faculty, are a sampling of Origins-related courses offered at Penn and by no means reflect the full range of courses available on this subject (download pdf, full descriptions).
Open to full-time Penn students. To register, interested students should consult with the individual departments, rather than the Penn Humanities Forum.

English 016.302 | MW 3:30–5:00
Modern Primitivism
Judith Brown, Andrew W. Mellon Postdoctoral Fellow

King Kong, Josephine Baker, Picasso’s masks, Freud’s “dark continent” — why has the 20th century been so drawn to the idea of the primitive?

History 106.301 | W 2:00–5:00
Massacres in History
Mark Doyle, Andrew W. Mellon Postdoctoral Fellow

Who decides when an event merits the term massacre, and what is the value of attaching this highly charged term to particular outbreaks of violence?

English 057.001 | TR 4:30–6:00
Colonial and Pre-Colonial America : The Origins of American Literature
Timothy Powell, Senior Research Scientist, Penn Museum

The intellectual roots of "America" encompassed much more than British colonization. In this class, we will consider the writings of Spanish, French, and Dutch colonizers, as well as the literature of women, African Americans, and Native Americans.

Art History 301.303 | M 2:00–5:00
Representing the Modern Metropolis: Architecture/Painting/Film
Anthony Raynsford, Andrew W. Mellon Postdoctoral Fellow

German expressionism, architectural Postmodernism, Pop Art, and Hollywood science fiction are some of the movements and genres to be explored in this course on the role of the metropolis in the development of modern art and architecture.

Anthropology 138 | W 3:30–6:30
The Social Contract and the Origins of Society
Camille Robcis, Andrew W. Mellon Postdoctoral Fellow

Political philosophy has always been preoccupied with the problem of “the social”: how is society born? Who are some of the major figures of European intellectual history who have attempted to think and rethink the origins of society?

Theatre Arts 410.401 | TR 1:30–3:00
Theatre, History, Culture I, Classical Athens to Elizabethan London
James Schlatter, Director, Theatre Arts Program

This course will focus on the development of theatre practice in Western and non-Western cultures as it intersects with the history of cities, the rise of market ecoomies, and the emerging forces of national identity.

German 581.401 | T 3:00–5:00
Becoming Modern: The German-Jewish Experience
Liliane Weissberg, Christopher H. Browne Distinguished Professor & Professor of German and Comp Lit

What has become known as “modern” German culture has been more often than not assigned to Jewish authorship or Jewish subjects. But what do authorship and subject mean in this case? This graduate course will be accompanied by a conference at Penn on March 30, 2007.

History of Science STSC/ENVS 313 | R 1:30–4:30
Human Nature at the Origin
Llyd Wells, Andrew W. Mellon Postdoctoral Fellow

What are the ecological, evolutionary and ethical assumptions underlying human designations of "original" organisms and of the "alien" species that often have overtaken them? What is the human role in nature? Does this role differ from that of other organisms? What do we mean when we identify specific organisms as native or original?

English 341.401 | TR 9:00–10:30
Slavery and Abolition in the Eighteenth Century
Chi-ming Yang, Assistant Professor of English

How did our modern ideas of race and racism originate in the context of the slave trade? What kinds of activist strategies aided the British abolition of the slave trade, and, eventually, emancipation? What role did women and the fight for women’s rights play in the anti-slavery movement? Why was interracial romance such a prevalent theme in antislavery fiction and poetry?