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Penn Humanities Forum
Freshmen
Seminars
National Creation Myths, Mark Doyle
The Origins of Life, Llyd Wells
The Origins of Sexual Difference, Camille Robcis
Athens/Babylon: Images and Metaphors of the American
City, Anthony Raynsford
Origins and Originality, Judith Brown
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Susan Miller,
History (F07)
Coming of Age in America: A History
of Childhood and Adolescence, Susan Miller
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Catriona MacLeod, German, Art History
(F07)
Winckelmann
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Michael Weisberg, Philosophy (F07)
Philosophy of Biology
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Jonathan
Steinberg, History (F07)
Economic
Ideas from Adam Smith to Marx, Mill and Maine
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Penn
"Origins" Courses • Spring 2008 The
following courses,
offered by Penn Humanities Forum Postdoctoral Fellows and
selected Penn faculty, are a sampling of Origins-related
courses offered at Penn and by no means reflect the full
range of courses available on this subject (download pdf,
full descriptions) |
Open
to full-time Penn students. To register, interested students
should consult with the individual departments,
rather than the Penn Humanities Forum.
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English 016.302 | MW 3:30–5:00
Modern
Primitivism
Judith Brown, Andrew W. Mellon Postdoctoral Fellow
King Kong, Josephine Baker, Picasso’s
masks, Freud’s “dark continent” — why
has the 20th century been so drawn to the idea of
the primitive?
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History 106.301 | W 2:00–5:00
Massacres in History
Mark Doyle, Andrew W. Mellon Postdoctoral Fellow
Who decides when
an event merits the term massacre, and what is the value
of attaching this highly charged term to particular outbreaks
of violence?
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English
057.001 | TR 4:30–6:00
Colonial and Pre-Colonial
America :
The Origins of American Literature
Timothy
Powell, Senior Research Scientist, Penn Museum
The intellectual roots of "America"
encompassed much more than British colonization. In this
class, we will consider the writings of Spanish, French,
and Dutch colonizers, as well as the literature of women,
African Americans, and Native Americans.
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Art History 301.303 | M 2:00–5:00
Representing the Modern Metropolis:
Architecture/Painting/Film
Anthony
Raynsford, Andrew W. Mellon Postdoctoral Fellow
German expressionism, architectural
Postmodernism, Pop Art, and Hollywood science fiction are
some of the movements and genres to be explored
in this course on the role of the metropolis in the development
of modern art and architecture.
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Anthropology 138 | W 3:30–6:30
The Social Contract and the Origins
of Society
Camille
Robcis, Andrew W. Mellon Postdoctoral Fellow
Political philosophy has always been
preoccupied with the problem of “the social”:
how is society born? Who are some of the major figures
of European intellectual history who have attempted to
think and rethink the origins of society?
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Theatre
Arts 410.401 |
TR 1:30–3:00
Theatre, History, Culture
I, Classical Athens to Elizabethan London
James
Schlatter, Director, Theatre Arts Program
This course will focus on the development
of theatre practice in Western and non-Western cultures
as it intersects with the history of cities, the rise
of market ecoomies, and the emerging forces of national
identity.
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German
581.401 |
T 3:00–5:00
Becoming Modern: The German-Jewish
Experience
Liliane
Weissberg,
Christopher H. Browne Distinguished Professor & Professor
of German and Comp Lit
What has become known as “modern” German
culture has been more
often than not assigned to Jewish authorship or Jewish
subjects. But what do authorship and subject mean in this
case? This graduate course will be accompanied by a conference
at Penn on March 30, 2007.
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History
of Science STSC/ENVS 313 | R 1:30–4:30
Human Nature at the
Origin
Llyd
Wells, Andrew W. Mellon Postdoctoral Fellow
What are the ecological, evolutionary
and ethical assumptions underlying human designations
of "original" organisms and of the "alien"
species that often have overtaken them? What is the human
role in nature? Does this role differ from that of other
organisms? What do we mean when we identify specific
organisms as native or original?
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English 341.401 | TR
9:00–10:30
Slavery and Abolition in the
Eighteenth Century
Chi-ming
Yang,
Assistant Professor of English
How did our modern ideas of race and
racism originate in the context of the slave trade? What
kinds of activist strategies aided the British
abolition of the slave trade, and, eventually, emancipation?
What role did women and the fight for women’s
rights play in the anti-slavery movement? Why was interracial
romance such a prevalent theme in antislavery
fiction and poetry?
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